HAND ME MY HAND

 

‘You can pin a maggot on a mackerel but you can’t pin a mackerel on a maggot,’ whispered the featureless child, his unheard words of wisdom floating away on the wind.

There was lot of wind on theSuffolk coast that day and it was busy dragging the kite belonging to the father of the featureless child along the far side of the beach.

‘Feck it, feck it and feck it,’ scalded Dad.

The snake on a rope thought he said ‘fetch it’ but his impulse to slither over and fetch it was curtailed by a sharp yank on the tie-rope around his neck. His trunk slinked and then coiled up into itself; his gasping tongue protruding to fork the passing currents of air.

Amongst the masses of messed up line attached to the kite emerged a giant ugly deep sea fish. It stank and shouted at a woman and a baby ahead of it.

‘Not mackerel, not a maggot and not a monkfish,’ mumbled and murmured the featureless child.

‘Mmmmer mmmmer mmmmer, can’t make any fecking sense of any fecking thing you say, lad,’ blasted Dad.

‘Sssssand shark, it’sssss a sssssand shark,’ hissssssed the snake.

Dad went to have a closer look. The stinking sand shark bit. He came back with the kite but without his hand.

‘That takes the biscuit,’ sobbed Dad.

‘That took your hand,’ corrected the featureless child.

Dad looked at him for a moment. ‘I understood that bit, lad, you’re right. Good to hear you talk normal for a change.’

The snake slithered back with Dad’s hand.

‘Thanks, snake,’ said Dad with a playful yank at his tie-rope. ‘Now let’s go home, your Mum has got some serious sewing to do.’

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Trumpet Forsyth

 

Each midnight, Trumpet Forsyth leans out of his sixth floor bedroom window and blows out his horn. The first notes are avant-garde and complicated, angry, like his guernica is inhabited by limbless limbo dancers and drowning hands. The next series of notes are big-nosed-Sonny-Rollins-sax, then tall and meditative, and after that a little fruitless like a man growing wings to turn into a penguin that will never fly. A horse bray and neigh, a dog’s head in a light bulb tree and a dancing man falling flat on his face make up the final third, and then trumpet Forsyth puts away his horn and lets the dogs, cats and manacled maniacs take up his clarion call to wake up the night.

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KICKER GIRL

 

Now lookee here, girl, what do you call that mess on the wall?
Dunno.
It’s a scribble, isn’t it? And a scribble don’t belong on the wall, it belongs on paper. Am I right or am I wrong?
Yep, s’pose so.
Right or wrong I asked, girl.
Right.
Right, thank you.
Granddad Pete was always shooting off about something and his granddaughter, Sophie, was normally in his firing line. She peered out from her lofty vantage point and endured it all with the cold stare of teenage oblivion.
You doing anything later, girl?
Dunno.
What about playing a sport. Tennis? Table tennis? Football?
Table football?
Don’t get fresh now, Sophie. But table football would be a start, wouldn’t it?
Yeah.
Go on then, here’s a pound. And a smile would be nice.
Sophie managed a smile, pecked her Granddad lightly on the cheek, and slouched off.
You will use the money for a game, won’t you?
Sophie mimed the bent over flick wrist motion of the game as she walked away.
Fat chance thought granddad, but she’d be good if she did play; the girl has the right attitude.

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CANCER BOB

 

CANCER BOB AND THE YOYO

Bob with the Cancer, a charred renegade cowboy scout was puffing and lolloping along on his half-assed, half-blind donkey when he passed two unlikely lads cavorting on the skirted hem of a daisy prairie.
One of the unlikely lads, Pete with a rooster, cried, ‘yo!’
‘Yo,’ repeated his crushed-almond-eyed friend.
Cancer Bob creaked around his saddle to face them: ‘what in the name of sweet Jesus are you two female faggots wanting from me?’
‘Yo yo,’ shouted Rooster Pete and his nutty fiend.
Now the donkey agitated around to bring Cancer Bob nuzzle-up-close to the yoyo pair.
‘I’ll say it only once: why are you rattle-snakes repeating your death rattle claim on my running-out-time?’
‘Yoyo, sir. It’s all the craze in the East. Spare us a dime and we’ll furnish you with our presentation.’
‘What do you think, Dong?’ Cancer Bob asked of his donkey. ‘Shall we give them a dime for their troubles or shall we blast their dim-witted asses back up to Kingdom come?’
Donkey Dong looked heavenward and brayed very loud.
‘Sorry boys, I have my answer,’ said Cancer Bob with a rotten kind of smile. Then out came his pistols and squeeze went the triggers. Bullets flew and the two unfortunate, unlikely lads fell backwards onto the skirted hem of the prairie.
As the rooster cooked on a fire and Donkey Dong hoofed up granules of desert to make two shallow graves, Cancer Bob lay on his back doing an expert cat’s cradle with the yoyo. ‘Those talent less fuckers will be pushing up daisies soon enough,’ he said.
‘And so will you, Bob,’ replied Donkey Dong.
‘Guess I will at that,’ said Cancer Bob allowing a crooked smile to pass across his lips as he offered his donkey dong a drag on his nicotine.

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THE PARTY

 

It really was a miserable party, it really was.

Young Hilary Stoppard and his pretentious young set contemplated the splenetic corners of art’s responsibilities within a splintered decaying cosmos.

Under an ageing Soviet philosopher’s smoke exhalation they gathered in an umbilical circle to soak in each of his puritanical philosophisings: ‘Believe in the rhythmic order of your heartbeat and trust no creation younger than your least favourite aunt or neighbourhood spinster.’

Hilary’s girlfriend, Bunti, corrected her spine with a long natural breath and a complex re-interpretation of Alexander technique. Sigmund, who suffers from total-allergy syndrome, adjusted the valve feeding oxygen into his astronaut suit and wondered if air was in itself a poison more potent than Velcro.

The deflated clown behind the punishing philosopher wore a look of utter defeat, his soul carrying the angst of the world in its tiny blue sac.

Hilary Stoppard looked out into the everywhere and imagined himself more than himself but less than an atom.

It really was a miserable party, it really was.

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NEIGHBOURS

Skidmark Sid and Herbert Hives asked their neighbour, ‘Margaret with two small melons’, round to share a bath. Sid liked Margaret, Herbert liked Sid, and Margaret liked to be naked; no touching was involved. After three months Margaret inherited a million pounds from her pet greyhound, Slim the Jim. They talked about what best to do with the money and decided to open a department store. They called it ‘Skidmark, Melons and Hives’; it wasn’t a success

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DOGSBODY

DOGSBODY

Does the dog wag the tail or the tail wag the dog? Such questions kept entering Arnold’s mind of late.

            It started with a heightened sense of smell. Nose up, with a slow turn of the head to catch the scents whirling past on the sea breeze.

            Brighton promenade, early morning. Mother in her wheelchair making sticky with an ice-cream cone, a white frothy milk moustache, sucking through the absence of teeth. Arnold beside her; nicknamed Arnold Layne after the Pink Floyd song by the giggling, sweaty boys in 5B. Now there’s a little grey around the temples, pinches of salt and pepper on the muzzle – a lollypop licked, orange on his lips, gazing at two windsurfers gliding on the horizon. The smell of seaweed, an undercurrent of sewage, salt water drying on rocks, and, close by, some dog wet on the railings.

            ‘A bitch, possibly a Pomeranian,’ Arnold is thinking.

            ‘Cold now, I’d like to go home,’ says Mother.

            ‘Get you a cappuccino? It’d warm you up.’

            ‘No, home, please.’

            Mother and Arnold, chair and walker, both quiet and thoughtful along the front, and then the long push home.

In their lounge, small and bent over, cramped by falling angles of bones into her seat, Mother watches Countdown with the sound turned up, an electric blanket, pink and new from Argos, £15.99, over her knees; an electric coal-effect fire; Arnold perched on the armchair beside her, scratching at a hole in his sweater. On the seafront he’d noticed the smell of coffee, that’s why it had come into his head to ask her if she wanted one, but now he can smell something unpleasant.

            ‘You done a two, mum?’

            Snores.

            Investigating in the bathroom. No sign, but he flushes anyway. Soap scents, citrus at the back of the throat; ammonia too, so he coughs.

Thirty years before in the Mini-Traveller, its log cabin sides, Mother, Arnold Layne, and their Yorkshire terrier he’d named Damien after the Omen film; Arnold had a thing for Lee Remick before she fell out of the playroom window. Mother at the wheel, Damien at the back with Arnold; fur soaked with seaweed.

            Mother spoke: ‘you shouldn’t have let him roll in that stuff. He smells like a drowned rat.’

            A whimper from Damien, Arnold’s hand on the bone at the back of Damien’s head, dog nose nuzzled into his chest. So close the two of them. Boy and dog, dog and boy.

            When they arrived home, Arnold brought out the brush to calm Mother’s nerves.

            ‘Not so hard,’ she said. ‘You should always brush in the direction the hair falls.’

            ‘Like this?’ said Arnold.

            ‘That’s my boy,’ said Mother.  

After the promenade, Mother’s night time snores have become damp and wheezy. It was cold on the front and the sea has settled on her chest, a trickle in her lungs. Her scalp is hot; red patches where hair has moved withArnold’s stroking.

           Arnold’s up, changing sheets, dampening her face with a sponge.

            ‘Will you eat something now?’ he asks.

            She shakes her head. He offers her a teaspoon of pink yoghurt.

            ‘Strawberry, your favourite,’ he says.

            ‘Don’t want it, too ill,’ she replies. 

            ‘Aw, mum, you’ll be okay.’

            ‘No, son, this is it.’

            ‘Please don’t say that.’

            ‘I’m not stupid,’ she says.

            A whine when he’s on the phone to the doctor. ‘Things aren’t so good with mum. Come and fetch.’

            He hadn’t meant to say that. The ambulance men carry her out on a canvas stretcher with a red wool blanket pulled over. An oxygen mask too.

            Medical chemicals in Arnold’s head making him dizzy. He asks if it’s all right to lie on the ambulance floor.

            Cold on his shoulder and his head rattling on the metal floor by their boots; leather uppers, a cigarette recently stubbed out on a rubber sole.

            ‘Do you mind moving, sir?’

            ‘Have you got any water?’

            ‘We’re not a cafeteria.’

            Not a cafeteria, the words sound alien. He falls asleep. Dreams. Running through a field, Mother rolling behind, he jumping over a small hedge, her wheelchair doing a Frisbee-flop a moment later.

            ‘Mum, mum,’ his legs twitching on the floor.

            A rush of wind as the ambulance door opens. ‘Move it, please.’ And the stretcher passes a long shadow over his head.

In the ward, Mother’s chest creaks, and Arnold lies curled in a chair by her side thinking of a head being stroked, forever stroked.

            He remembers running with Damien: a game of throw and retrieve.

            ‘Go boy, go.’

            Two jade eyes spied through the mesh of next-door’s fence. Dainty paws lower down, white trim: Kenneth, the tortoise-shell. Damien’s fur on high alert, arching his back, the ball desolate and unchewed in the middle of the lawn.

            Kenneth sprang on top of the fence, claws folded in, paws gripping like toy felt, slinking across the night sky; his tail like a fanning Yucca. Damien charged at the fence so he stuck, legs held fast in stocks; Arnold trying to tug him free.

            Mother at the kitchen door. ‘Arnold, come in this moment.’

            ‘I’ll be back, Damien, sorry.’

             Back as he promised, after a Fray Bentos, overcooked and black on top – Arnold never liking puff pastry ever since – and Damien was gone; Kenneth looking on, smiling wildly, pupils enlarged and speeding.

            But no Damien, even when Arnold cried his name through the streets that night.           

Arnold mourned then, Arnold mourns now; Mother has passed away. A rose bush planted in the garden, yellow and pink, just as she requested. Smells sickly, like the Indian sweets they give him at the Kybher Pass, his nightly take-away. He’s planted a bush for Damien too, in case he ever comes back – ghost-like – to leave his mark, his marauding impression. His favourite bones still buried in the soft earth underneath. 

            After Damien disappeared, Kenneth fell out of a tree. 

It’s raining. Arnold places mum’s urn on the mantelpiece, lies on the carpet, looks at the electric bars glow, and feels their warmth on his tummy. He closes his eyes and listens for a scratch on the bottom of the door. Tomorrow he’ll take himself for a walk on the seafront, buy an ice cream, and scatter the contents of the urn in the sea.

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